‘The Marksman’ review: A bland addition to the Liam Neeson thriller canon

Since 2008′s “Taken,” the “Liam Neeson thriller” has become a subgenre unto itself. Aggrieved fatherly types, Neeson’s characters must turn to violence against assorted bad guys in various locales. At this point, one could list them in a Dr. Seuss-inspired format: Liam Neeson on a plane, Liam Neeson on a train, Liam Neeson in the snow, oh, the places he’ll go (to shoot bad guys).

Leave a Reply

Your email address will not be published. Required fields are marked *